Speaker pursuit road > the D-88 super-flamingo top >
The first attention
Basal condition + MDF cabinet + FE88ES
Swan became the third work this time, too. It counted roughly with D-101s super-Swan (ten centimeters), D-83 flamingoes (eight centimeters), D-88 super-flamingoes (eight centimeters), D-101a (ten centimeters), the D-150 moa (20 centimeters), and D-161 rheas (16 centimeters) if it was said the one famous for the Swan series and there were six models. Nagaoka speaker 15 chose and picked up three models of the start in" ..Oyama and my choice.. .."... Reason that reason to choose these three models assumes strapping frankly speaking D161 and D150 for ordinary family and ordinary families' rooms and some designs of no [terare] it and D-101 Swan a are old. However, time and money can be permitted some time and the model of [korera] will also experiment.
Because I had wanted to do the experiment to which the difference of the sound with the board material was confirmed by using a super-flamingo further this time, quite the same two one was made from MDF and [finrandoba-chi]. Because everything ..a current Swan series.. had been made from MDF, the MDF version decided to be made to take the correspondence there though it began to make from lent [finrandoba-chi] in reality. It wanted to make the condition quite the same still and to confirm it though wonderful of the sound of [fainrandoba-chi] had already been understood with other speakers. I will do based on the MDF version, and assume [finrandoba-chi] to be another contents in this report.
The D-83 flamingo is big, it exceeds in amount of feeling, the feeling of speed of an impression low region of the first audition, and all the natures, and the Bonn luck in the vicinity of F0 that is the flamingo is not felt by me ..most high audibilities... This is large surely depending on unit FE-88ES of the low region [dara] fall characteristic. Especially, the large one is an expansion of the low region cooking stove. Even the same level as [sugani] super-Swan never takes closing.
It is because R processing is given to the process of the whole tone road thoroughly sticking to the sound road structure this time or the pipe resonance sound is not felt by me at all. There is no strike place of wrong, and a very complete speaker is an honest impression. When auditioning first, a good speaker is a speaker felt "[Piki-n]" .."[Piki-n]" and the coming one bulrush... This level is considerably terrible without aging.
D-88SuperFramingo |