Speaker pursuit road > Nagaoka iron man nature model 15 the top >
D-111 ammonite M
D-111 ammonite M The bass that cannot believe from the spiral horn of - threat is reproduced. | |
| Basic data | |
| Cutting China plywood +1 ..price *.. | 12,418 yen |
| Unit two ..price *.. | 7,328 yen |
| Other necessity three ..cost *.. | 5,000 yen |
| Size |  550mm in length �~470mm in width �~180mm in depth |
| Nagaoka [tetsuotoko] recommendation unit | FF125K |
| Production four ..difficulty *.. | 2 |
| Reference drawing 1 | Art �B of Nagaoka [tetsuotoko] of original speaker design |
| Reference drawing 2 | Speaker construction complete map side collections �A of Nagaoka [tetsuotoko] |
 Reference drawing 3 | Original speaker design art specialedition drawing [atsumahen] �T of Nagaoka [tetsuotoko] |
| Sound road data | Sound road data of Nagaoka backing loading |
Frequency response | |
D-111 ammonite M equipped with FF125K | |
Comment on Oyama | |
| The Nagaoka master is announcing several kinds of spiral horns. D-111 becomes medium (It is considerably large only in BH). The spiral horn is a structure in the CW type (D-37 etc.) that is nearer [ekusuponensharu] than the comparison, and the omission of the sound is very good. However, the space factor is bad, and the installation has a hard time. You might use it as a wall hanging. | |
- 1The plywood price is addition of the necessary plywood price (China plywood) and the cutting price referring to the price list of the Tokyu Hands Shinjuku branch. Please think to the end at the reference level (As of October, 2006).
- 2For the unit, the one that the price in the Koizumi wireless was examined on the net is a reference. Please think at the reference level because this is the one with the possibility of the change of the price etc. (As of October, 2006).
- 3It is assumed 5000 yen with other cost chiefly adding up the coil capacitor, the woodwork bond, [onimenatto], and the woodwork tool, etc. for a terminal, internal wiring, the [fasuton] terminal, and the network.
- 4It divides into five stages, and it is a production difficulty that it is the easiest and five is most difficult of one. It is subjective what written based on the complexity and the experience of the size and the structure of the speaker that Oyama actually made.
The subsequent page is D-37 of [rokuhan;yunittobakkuro-do].
